SABOTING SICILIAN FRENCH B3
19,95€
In the first full book to examine 2.b3 against the Sicilian, French and Caro-Kann, mainlines, interesting sidelines and current theory are reviewed. In addition, what actually happens in modern practice is surveyed.
The authors are optimistic for White, and concentrate on the best continuations while trying to be objective. It is in that spirit that they conclude that 2.b3 is sound against the Sicilian, fun against the French, and curious against the Caro-Kann. In all three cases, the objective is to sabotage Black’s play, to take him out of his comfort zone. The word “sabotage” has historically derived from throwing a clog into machinery, or in other words, throwing a monkey wrench in the works; here the wrench is a queenside fianchetto.
2 en stock
Catégorie : Ouvertures
In the first full book to examine 2.b3 against the Sicilian, French and Caro-Kann, mainlines, interesting sidelines and current theory are reviewed. In addition, what actually happens in modern practice is surveyed.
The authors are optimistic for White, and concentrate on the best continuations while trying to be objective. It is in that spirit that they conclude that 2.b3 is sound against the Sicilian, fun against the French, and curious against the Caro-Kann. In all three cases, the objective is to sabotage Black’s play, to take him out of his comfort zone. The word “sabotage” has historically derived from throwing a clog into machinery, or in other words, throwing a monkey wrench in the works; here the wrench is a queenside fianchetto.
19,95€
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Description
In the first full book to examine 2.b3 against the Sicilian, French and Caro-Kann, mainlines, interesting sidelines and current theory are reviewed. In addition, what actually happens in modern practice is surveyed.
The authors are optimistic for White, and concentrate on the best continuations while trying to be objective. It is in that spirit that they conclude that 2.b3 is sound against the Sicilian, fun against the French, and curious against the Caro-Kann. In all three cases, the objective is to sabotage Black’s play, to take him out of his comfort zone. The word “sabotage” has historically derived from throwing a clog into machinery, or in other words, throwing a monkey wrench in the works; here the wrench is a queenside fianchetto.
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